Plaidophile

After going disc-only on Netflix I decided to go ahead and turn Blu-Ray discs back on, since a significant portion of my queue is actually in that format now. I have very quickly learned to loathe Blu-Ray's advanced "features," which are of course being used for nothing but advertising now.

For example, in Where the Wild Things Are, there are about 15 minutes of unskippable, un-fast-forwardable trailers for other movies. Any attempts at getting out of those and into the movie are met with the trailers being completely restarted from the beginning. (This may have also been because it was the "rental edition" of the movie, which had no extra features.)

Next, The Blues Brothers opens up directly to the main menu — which doesn't load until it downloads a bunch of content from BD Live. All ads, of course. Until that happens, you're stuck with a repeating montage of the key scenes from the film. At least on my BD player it's possible to get past this by pressing "disc skip," but then as soon as the BD Live content finishes loading, it boots you back into the main menu. Absolutely irritating, and completely pointless. The BD Live content it was waiting for wasn't even anything related to the movie — it was all banner ads for other things coming out on Blu-Ray.

As always, piracy is the more consumer-friendly option.

The MPAA and RIAA are at it again. Here is the letter I am sending via that page's form:

I am a constituent and I urge you to reject S. 978, "A bill to amend the criminal penalty provision for criminal infringement of a copyright".

This bill is overly-broad and only serves to further cater to the monopolistic practices of the big media cartels who operate as part of the RIAA and MPAA. It further erodes the rights of artists set forth under the fair use doctrine, and provides a chilling effect on free expression and active participation in common culture. It does not protect the interests of the RIAA or MPAA, and will only be used to criminalize everyday activities.

Further, given that RIAA members have copyrights on specific renditions of silence and other fundamental sounds, as well as songs containing every word known to every language, it is likely that they could use this to stifle creative free expression even from those who aren't infringing on the bill, simply because any new song written by a non-member could be shown to be infringing on SOME property. Or are the courts capable of determining whether the two-second silent pause in any random YouTube video originated from track 65 of Blur's "Modern Life is Rubbish?" Could any use of the word "bird" be construed as infringing on the composition rights to about half of the early Beatles catalog?

I urge you to reconsider this bill, and all others like it.

A few years ago I did the music, sound effects, and some of the voice acting on a little animation called "Pirate Scum" by my friend Patrick. For those in or near San Francisco, it's going to be showing at the Peaches Christ Film Festival on April 15, 2011, and Patrick, Mo (main voice talent, best known as the voice of Erin Esurance) and I will (probably) all be there too.

For some reason a lot of people care deeply about what the actual lyrics are to the theme song of Spliced!, especially a couple of words which are rattled off fairly quickly and seem like they might be out-of-place in a kids' show (but of course, Spliced isn't a kids' show).

On a tiny little island
In the ocean called Pacific
There's a mixed-up group of creatures
Who are really quite horrific
Stitched together with whatever crap was
Found or could be grabbed,
Re-invented in the bowels of a lab.

Spliced! They have all been spliced;
Half baked and diced
And regurgitated
By some crazy doctor (Spliced!)
Who went vamoose
And now you'll pay the price; They have all:

Bits of human, chunks of lab mouse
Swap the hind legs for an udder
Splice a parakeet with donkey feet
And season it with butter.

It's no ordinary island, do we have to say it twice,
It's no ordinary island 'cause they're spliced, spliced, spliced!

My friend Mark is working on an animated PSA for Net Neutrality, and he's trying to raise $3000 to finish it. What I've seen so far is pretty good, and right now we need to get the message out more than ever. Please consider sending some funds his way!

Since Hulu Plus has finally publicly launched, and is also available on my new TV, and my TV came with a free two-month promotional credit for it, I figured I'd give it another try.

From the studio that brought you Beetlejuice and Eek! The Cat is another wonderfully funny and subversive cartoon, Spliced!. It's so subversive that pretty much nobody has heard of it.

Today I got the promotional Blu-Ray discs that came free (after registration) with my new TV. So far I'm just watching the promo disc, with clips from a bunch of movies. The various window violations are just as bad in the home as in the theater (only it's a bit worse due to the window being smaller), but then as I have also discovered, it's a bit counterintuitive to disable MotionFlow (240Hz motion interpolation) on my TV when there's a 3D signal, at least not when it's being played through my Blu-Ray player. As a result, animation looks like a cheap video game cut scene, and live action looks like a crappy soap opera.

I absolutely hate MotionFlow, and always turn it off whenever I can. Since it also increases lag, "game mode" generally disables it, so it might not be so bad if I play it through my PS3 — although the PS3 is also significantly louder than the dedicated Blu-Ray player. It merits further experimentation, at least.

Fortunately, there is a way to turn it off: put the system into "theater" mode, and then the sickeningly-smooth 240Hz drops down to the 24Hz that it should be. Unfortunately, that also does a lot of other things to the image, like making it a bit darker (I guess you're expected to have your lights off) and so on, and also screws with the sound (putting it into some sort of "cinema audio" mode). BUT: game mode also turns off MotionFlow (to decrease input lag) and also keeps the nice wide image dynamic range.

It's a bit annoying how I seem to have to fiddle with things more to undo all the "OMG WOW" features that are turned on by default though. Oh man I wish I had a lawn to tell people to get off of right about now.

Why is it that when I watch a Blu-Ray disc on my Blu-Ray player, pretty much every single one starts out with an unskippable 10-minute sales pitch for how awesome Blu-Ray is? It's especially ludicrous when it's from a Sony Pictures film (for example, Moon) where I am watching it on a Sony Blu-Ray player on a brand-new Sony Bravia 3D TV. They can't get any more money from me on this!

I just want to be able to press "menu" and get right to the movie's menu, or better yet, just go straight to the movie, since it's not like Blu-Ray movies need any configuration most of the time (since it's not like the bad old days of DVD where the player didn't know what audio format to use or whatever, and some things were set up with the assumption that peoples' players didn't know how to downconvert 5.1 to 2.0 or whatever).

This is one of those things where it's gotten worse as the studios have gotten more format-savvy, and of course there's a visual aid. (Except it's even more ludicrous than that because the Blu-Ray ad is telling us how much better Blu-Ray is than DVD, which is why I have it on Blu-Ray already.)

So for some reason I decided to spend a lot of money on another toy.

Shows I have now stopped watching:

• The Big Bang Theory
• Bones
• Hell's Kitchen (and all the other Gordon Ramsay folderol)

Shows I will not be starting to watch:

• Shit My Dad Says

Shows I will continue to watch, despite expecting massive disappointment:

• House

In science fiction series where there's some sort of universal translation thing which uses some ill-defined 'receiving the intent' sort of thing (Farscape, Star Trek, etc.), it seems likely that all civilizations would eventually lose their own cohesive languages. After all, if all children could just understand and be understood implicitly in whatever random babbling they come up with, there's no reason for them to adjust and learn their own civilization's common language, right?

So really, when there's a scene from the perspective of someone who is without the translation conceit, it seems like everyone should just sound like squealing, growling, baby babble, and the like.

Today I was at the Alameda Antiques Fair, and came across what purported to be an original animation cel from the Star Trek: TAS episode Yesteryear. I of course bought it (after failing to convince Mark that he should), and then after framing and hanging it, I decided to watch the episode it supposedly came from.

Thanks again for submitting your work for the Cartoon Art Museum’s Monsters of Webcomics Virtual Gallery.

I’m pleased to say that your work has been selected for inclusion in our exhibition, and will be featured in the Virtual Gallery along with a wide array of webcomics from around the globe. This historic exhibition will include over 100 artists, making this one of the largest exhibitions in the Cartoon Art Museum’s 24-year history, and we’re thankful for your participation.

I am pleased as well! My stuff will be in a museum! I think this is only the second time this has happened.

Here's a full press release of the exhibit, and also you can read more about the goings-on at the Cartoon Art Museum on their LiveJournal.

I will have to finally go to CAM and maybe even meet Shaenon and Andrew in person!

I will not spoil this movie, so much as just say the following:

• Yes, the trailer hints at certain aspects of the story, but it goes in a very unexpected direction
• What you think will be the villain is not the villain
• It is refreshingly ambiguous and open-ended
• The soundtrack could be better (I think Clint Mansell was just phoning it in this time around, which is unfortunate since I loved his work on π) but it still led to a very nice atmosphere
• I was able to look past the many minor science gaffes which were probably made just in the name of making it easier to film (in the case of the live action ones) and looking more "realistic" (in the case of the CG ones), because really who the hell cares that there wouldn't be clouds of dust kicked up in a vacuum? Total nerds, that's who.

This seems like a really bad time to be famous. RIP Mrs. Slocombe and Karl Malden. At least they (along with Ed McMahon) had a good run, unlike certain pop stars and hucksters I could name.

Who's next, Bruce Campbell?

(NOTE: If Bruce Campbell dies within the next month I sincerely apologize for predicting it, because he is certainly not someone I would like to die right now, or ever.)

From TiVo's online program guide:

Just a brief followup to my "review" last night. Don't read it if you are still looking forward to seeing the movie unspoiled.

Well, that was certainly a movie.

So, for various reasons I decided to finally subject myself to the torture of the Matrix sequels. I knew beforehand that Gloria Foster had died from diabetes sometime during the filming of the third one and was replaced by another actress (with the replacement justified by her being a piece of software anyway), but I didn't realize that they had discarded all of her filmed scenes.

So, when the Oracle appeared, I just thought that Gloria Foster had some terribly slurred speech due to the effects of the diabetes and I kept on wondering where in the movie the actress change was to take place, until she specifically mentioned her changed appearance to Neo.