ESE pod reviews: Illy decaf, Arabica Express Coffee Talk

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Recently I’ve been infatuated with espresso-type brewing, and have been on a quixotic quest to get the perfect decaf shot. In doing so, I bought a bottomless portafilter for my Gaggia Classic Pro, which very quickly revealed that the biggest problem in my brewing is that my Baratza Encore simply isn’t up to the task, even with the modifications I made to it; all of my shots were channeling and making a mess, regardless of grind size or tamp pressure. The only fix was to grind ultra-fine and tamp ultra-hard, and this led to an overly-slow, over-extracted shot.

As part of my process that led to this decision, I bought some ESE pods in order to have a baseline brewing experience. While ESE pods aren’t ideal for my taste in espresso (I prefer longer shots from a large dose, on the order of 20 in, 40 out) and also don’t satisfy my whole “espresso is an experiment in tweaking and fussiness” impulses, the experience was good enough that I decided to see if ESE Pods on their own were worthwhile.

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9/11+20 fluffy rambles

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You know what I miss about the pre-9/11 days?

People being able to go to the gate to greet the traveler as they arrived.

It was always so nice to welcome people, or be welcomed. After 9/11 that little ritual went away, because now only travelers themselves were allowed beyond the security checkpoint, and nobody wanted to wait for their loved ones outside of the security checkpoint, so that very quickly made way to people waiting in the loading zone, which then turned into waiting in the cellphone lot, trying to make the whole greet-and-pick-up process as soullessly efficient as possible.

There’s a bunch of other stuff that changed so much that people are talking about, but this is a thing that I haven’t seen anyone else mention. Just this little bit of humanity that was part of the travel experience.

Then again, everything we’ve lost comes down to little bits of humanity, in the end.

Studio and cat updates fluffy rambles

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Studio

My basement studio setup is coming along slowly but surely. I ended up buying a used ADAT preamp to expand my existing audio interface (rather than buying a new interface/patchbay/etc.) and it mostly works great, although I’m going to see if I can hack an S/PDIF decoder into a word clock source for it so that the 18i8 can be master (which makes a couple of things easier to deal with).

For now I’m using my old MacBook as the recording computer. It only has a 500GB drive, though, and I couldn’t find the power adapter for my external HDD enclosure, so I decided to try just running Native Instruments off of my NAS over gigabit Ethernet. Nearly every install failed with a nonsensical “malformed XML document” error, which turns out to be a known issue with attempting to install to a NAS. Oh well. Hopefully that PSU turns up soon. I’m sure it’s in the bottom of whichever box I end up unpacking last.

(The PSU isn’t anything particularly exotic in principle, just a 12V 2A center-positive wallwart, but for some reason all the 12V center-positive wallwarts I can find can’t accommodate its extra-thick center pin.)

But anyway, today I finally got to the point where I could hook up my piano, and so I played piano for the first time since April, which felt nice. I can’t believe I let it be this long. I guess I really thought the backyard shed studio would go a lot more quickly!

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Indieweb vs. Fediverse fluffy rambles

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Indieweb

You get someone’s profile URL, example.com/bob. You put that URL into a browser, and it shows you a human-readable profile which also contains machine-parseable data. You add the URL to your feed reader, and it subscribes to their posts with full attribution. The content is presented in your feed reader in a freeform way which allows a high degree of expressiveness, and it’s easy to go to the original post in case there’s some missing nuance or visual context.

All subsequent interactions are either directly between you and the person in question, or are webmentions which only get seen by your direct subscribers if you put them in your public feed.

Fediverse

You get someone’s address, @bob@example.com. You put that into your web browser, and you get a warning that says, “You are about to log in to the site ‘example.com’ with the username ‘%40bob’, but the website does not require authentication. This may be an attempt to trick you. Is ‘example.com’ the site you want to visit?” You back out of the error message and try to manually reformat the address. example.com/bob? 404. Maybe it’s example.com/@bob? That doesn’t work either. You read a tutorial on Webfinger addresses and learn that you can load their “resource profile” by going to example.com/.well-known/webfinger?resource=acct:bob@example.com. So you put that into your web browser, which then downloads a blob of JSON text. Buried in it is the URL example.com/user/bob. Finally, progress.

Now to follow them. You try putting the user address into your feed reader. Error. You try putting the profile URL into your feed reader. Error. You see a “Follow bob” button. It brings up a “remote follow” page which requires you to put in your own Fediverse username. You think you have a Mastodon account, so you try putting that in. It starts to initiate a weird three-way handshake, but fails.

You go back to your Mastodon instance and try searching on @bob@example.com. Nothing comes up. You try to figure out why. No users from example.com appear. You search through both your instance’s and example.com’s blocklists, which are hidden deep in their respective “about this instance” pages. It turns out that five years ago one admin on one server said something mean to an admin on a completely different server and that led to a widespread level of discourse that resulted in a bunch of instances blocking each other, and others joining in solidarity.

Finally you dig up an Atom feed for the user via finding a HOWTO that someone wrote seven years ago. The feed shows no posts, because the instance admin decided to disable Atom because it allowed blocked people to still follow the person who blocked them and they don’t understand Internet privacy. But it turns out it wouldn’t have mattered because this particular instance is set up so that the only way that posts appear on other peoples' timelines is by push notification.

You give up and get an account on their instance so that you can participate in the conversation. Now you have another instance to check all the time. 90% of your notifications are random spambots following you. The other 10% are you either getting tagged into random conversations by mistake, or some random person on another instance replying to something you said totally out of context and attacking you for their interpretation of a thing that had nothing to do with anything you were talking about. They get downright abusive, so you report the user. It turns out that the abusive user is also one of the admins of that instance so the report just goes to them anyway. They start posting anime memes about you. Your blocklist grows exponentially.

Finally you find some thoughtful long-form content. All of the posts are displayed in the form of a block of unformatted text followed by up to four badly-cropped images; no images can be inline, and even basic text options like bold and italics are unavailable, and web links either only appear as bare URLs, or aren’t obviously links because your instance’s stylesheet removes all formatting from them. You try to see a post in its original context, and it takes you to your instance’s view of their profile, which looks the same. You finally figure out that you can click on the date and that shows you the post on their public timeline. It looks the same, except now there’s no widget to let you automatically unfurl every CWed post in the thread for some reason like there was on your instance’s local view. But the instance’s local view is missing the first half of the thread because it happened before you subscribed to them.

One month later your timeline gets flooded with random unordered posts from 3 years ago because some forgotten instance’s Sidekiq queue suddenly got unjammed.

Finally setting up a recording space fluffy rambles

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I’ve been trying to make music in my small second bedroom/office, but it’s ridiculously constraining in here, and kind of frustrating. My long-term plan is to build a separate studio building in the back yard, but that’s slow-going and there’s a lot of barriers to it, and in the meantime, ever since I upgraded my house’s furnace to a ductless minisplit system, my basement actually seems to have enough space for my recording setup, so I’ve been looking into moving it down there.

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Setting up Postfix + Mailgun for multiple outgoing domains fluffy rambles

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For quite some time I’ve been having trouble with Gmail categorically classifying most of my outgoing mail as spam purely on the basis of my SMTP host being on a Linode VPS. No matter how much care and feeding went into my SPF+DKIM configuration, the Almighty Google would just arbitrarily decide that no, my email is not to be trusted after all. (This is pretty much the biggest reason why email is bad.)

After a brief kvetch about this with David, he pointed me at Mailgun, an enterprise-level SMTP relay (among other things). I’d looked at SMTP relays in the past but most of them are ridiculously expensive, but Mailgun has one very compelling feature:

It costs 80 cents per 1000 outgoing emails.

I send about 50 emails per month, so that means Mailgun will cost me a whopping… 4 cents per month.

I think I can afford that.

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Songs of Substance preorders live fluffy rambles

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Every few years I’ve tried to do an album of my Song Fight! back catalog stuff. In 2009 I released foodsexsleep, in 2011 it was Love and Monsters, and in 2014 was Radio Ready. And then… nothing, for a while.

Many of my albums since then have had one or two Song Fight! songs on it (for example, 2015’s Refactor had two Song Fight! songs on it and one Circle of Titles, and a couple of Novembeat albums picked up some Song Fight! songs that I did as part of Novembeat), but due to a combination of not doing as much for Song Fight! anymore and rethinking a lot about how I made music, I kept on putting off another Song Fight!-heavy album.

Anyway, lately I’ve been getting the itch again, and my most recent entry finally sparked me enough to work on releasing an album while the fire is hot. Plus, I’d been meaning to properly release my covers of “Space Cadet” by Brother Machine and “A Problem of Perspective” by King Arthur for ages, and Charles (of King Arthur) had a recent health scare, so I wanted to release this while he still had a chance to appreciate it!

Ever since Good Luck Charm I’ve known that this album was going to be called Songs of Substance. Preorders are open now, and I hope to have the album ready for purchase by October 1.

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