2024 → 2025
As is tradition, I am not a fan of resolutions, just aspirations.
Rambles that are fluffy, by fluffy
As is tradition, I am not a fan of resolutions, just aspirations.
When I adopted Tyler, his tail had a couple of kinks in it, apparent signs of dislocations or other injuries. The vet said that they’re just a normal thing that happens to some cats, and that it’s generally not harmful to them and there isn’t really anything that can be done.
Unfortunately, Tyler how has a third kink in his tail, and this one’s pretty close to his spine, and he’s clearly in pain from it. He’s been unable to clean his hindquarters anymore (which he was never great at to begin with) and whenever I try brushing him or even gently petting him there he’s clearly in a lot of distress. Even just lying in place he’s having a lot of trouble getting comfortable.
So, I’m going to take him to the vet, and I expect that whatever they find it’s going to be pretty expensive to take care of. Sigh.
From what I’m finding online, most likely the vet will want to do some x-rays, and depending on what they find they might either need to set the joints and splint his tail for a while or, unfortunately, they may need to amputate.
But he’s clearly in a lot of pain and I want him not to be!
I guess this is something of another TODO list, to keep myself accountable.
You might have noticed that I’ve made a slight change to the comments on this site: the comment threads are only visible to those who are signed in. This is a temporary experiment just to see if it cuts out the spam I’ve been getting and also if it increases the quality of what comments do come in.
I’ve been thinking about how I can go about improving comments in general, in ways which would also satisfy some of my other general long-term plans around Publ.
I got an M4 Pro mini for my office, so that I could put my M1 Studio in my studio. I’ve also changed web browsers. Let’s talk about both of those things, and one other thing!
I was just going through some old files while preparing some hardware migration stuff (ugh) and I came across a file entitled distributed social network.md, dated December 13, 2014. This was the start of my ideas about what would eventually result in Publ.
Obviously things drifted a lot between 2014 and 2017 when I finally started implementing Publ, and a lot has changed with my goals since then as well.
Don’t use this as a roadmap, is what I’m saying.
About a month ago I was turned on to the show Brilliant Minds by means of a Steve Shives video. My curiosity in it was piqued specifically because of his mention of two characters: the main character is faceblind, and one of the supporting cast has mirror-touch synaesthesia.
I have both of those things! And nearly every time I’ve seen them portrayed in the media it’s been infuriatingly awful!
So of course I just had to watch this show to see how it handled them.
There are mild spoilers below.
Hi, I am once again writing to request a reconsideration of the state-wide Electric Vehicle Transportation Fee, the additional $75 line-item added to electric vehicles' car registrations in the state of Washington.
The purpose of this fee is supposed to be to encourage the adoption of electric vehicles, but it does exactly the opposite. This $75/year fee represents more than I pay for energy on my electric vehicle in any given year, and I, like most EV owners, charge my vehicle at home on equipment I paid hundreds of dollars for.
This is on top of the already ridiculously-high $150/year fee that is meant to offset the missing fuel tax, which already is for more than the total amount of fuel I would have bought in any given year.
I only drive around 1000 miles per year. I am disabled and on a limited income. I bought an older, used electric vehicle somewhat to reduce my already-low transportation costs but mostly to be better to the environment based on how little I drive to begin with, as the environmental impact of the oil changes that I no longer need was pretty significant, especially compared to how little I was driving.
This $225 total in fees means I am paying vastly more than my fair share compared to drivers of internal-combustion vehicles, and am being actively punished for making the right choice in terms of harm reduction on the environment.
I am also already paying more for the infrastructure offsets actually taken by my (again, seldom-driven) electric vehicle in the form of the two “additional vehicle weight” fees, which total $35 (split up into $10 and $25 for some reason).
A much more equitable approach would be to assess a much smaller fee across drivers of all vehicles, regardless of fuel type, which would actually encourage EV adoption, and would also generate more revenue for the state.
I urge you to please re-evaluate these regressive fees and to consider a more equitable means of offsetting infrastructure costs.
It’s car registration renewal time! Let’s see how much having an EV saved or cost me.
The vet just got back to me with the results of yesterday’s tests.
Her white blood count is elevated (indicating inflammation or an infection), and the radiologist says that the concerning bits on her lungs are just her asthma being especially bad right now.
So, we’re giving her a short course of Prednisone and hopefully that clears things up.
It’s unclear what caused the weight loss but given how enthusiastic she’s been about wet food and how meh she’s been about dry food, I think she’s just going to get a lot more wet food going forward. That’ll make it easier to give her the meds anyway.
The most important takeaway is that she is almost certainly not dying any time soon. Yay!
After having eaten a bunch of wet food last night and having had three doses of antibiotics, Fiona’s getting back to her usual cuddly/climby self. She isn’t sneezing anymore, and while she’s still a bit congested she snuggled up with me in bed this morning, and right now she’s being super snuggly and affectionate. She’s also purring super loudly, which she hasn’t done in a while.
I still haven’t heard from the vet about her bloodwork or x-rays but I feel like there’s a lot less to worry about now.
Fiona’s been getting on in years. As a rescue stray I don’t know exactly how old she is, but the vet’s estimate was that she was around 18 months old when I adopted her in late 2012, so she’s probably 13-14.
It’s been a while since I’ve done a roundup of current and upcoming EVs. Even though I don’t drive very much, I still like to keep track of where EVs are especially for everyday people who aren’t doing massive amounts of driving or cargo-hauling or whatever. I have no plans to upgrade away from my 2019 Niro any time soon, but I do know a lot of people who are EV-curious but not curious enough to do actual research, so I like to know where things are at.
With all of the FUD going around right now and the American auto industry’s hyperfixation on making everything into giant SUVs, I thought it’d be nice to raise awareness of the neat stuff that’s still happening.
I finally got a bunch of stuff working on the new Sockpuppet website, including the music browser. Now people will have the ability to actually find something in my vast sea of content!
I still need to finish tagging a bunch of stuff to make it useful but having the functionality in place gives me motivation to do so.
I’ve also improved the “buy box” and added way more streaming providers to the sources (which of course requires more content to be filled out, too), and there’s a bunch of other functionality like being able to browse lyrics and song notes and such from album pages.
The really neat thing is that most of this stuff, even the dynamic stuff, is done using pure CSS! There’s a little bit of Javascript for a couple of things but I have some ideas about how I can remove that stuff, and it’s not like the javascript is particularly heavyweight anyway.
At some point I should release the templates as Publ samples, so that others can use this as a basis for building their own music sites too. Or something. I’m doing a lot of stuff that’s really taking advantage of Publ functionality under the hood.
Anyway, for those who follow me via a feed reader but haven’t added that site yet, it’s definitely ready to be added at this point, and I’ll be posting most of my music-related blogging over there from now on.
Just some random stuff about the state of media management in my life.
Wow, lots of stuff happened today (meaning Friday).
Gosh I have a lot of projects to think about right now.
Over the past few days I’ve been pushing myself to finally get a usable new music site and it’s finally at the point where I’m ready to have the tires kicked. There’s a bunch of stuff that needs to still be done on it but that can come later. For now it at least has vague parity with my Bandcamp page, and my wrists need a rest.
There’s a bit of a historical progression regarding my old high school’s mascot which amuses me quite a lot, and very few people know about it.
When I went there, the mascot was just the Highland High Hornet, our sports teams all being “The Hornets.” But nowadays it has a de-facto name of Herbie. And this has a very direct connection to me.
I watch a lot of Living Big in a Tiny House, and I have very mixed feelings about it. But there’s definitely a bunch of trends I’ve noticed with it (and also with other tiny house channels on YouTube).
I had my release party for Transitions today. It went pretty well! Around a dozen folks attended in VRChat, and another half-dozen tuned in to the stream. Everyone who came enjoyed it and had nice things to say.
I hope that over time I can get more attendance to things, but the time of day for this particular show wasn’t great, as a lot of people wanted to come but had other obligations (such as, you know, sleep). The time I chose was based on trying to split the difference between a lot of peoples' needs. But this is why I also record my shows for posting on YouTube.
This show was also really big and took a lot of work to put on and I am so freaking tired. What I’d like to do is to just start doing more frequent, smaller shows, instead of trying to do these big all-out things on a monthly basis. I should experiment with different times on day on both Saturday and Sunday (which is consistently the least-bad day for everyone) and see if I can get regular attendance going. These shows could just be for funs instead of having to be a big rigmarole.
Right now I’m super tired and I having finished the album I can at least take a break from music production for a while.
I’m also a bit disappointed with the world of indie music and the marketing thereof. I have a whole rant brewing about the asinine way that music marketing works, but tl;dr1: people only care about stuff that is coming out soon, nobody cares about stuff that’s already out. I hope I’m wrong about this. At least Transitions seems to have a bit more legs than my previous releases. (But my previous releases still exist! They’re still totally viable albums that you can buy and/or listen to!)
Anyway, I’ve submitted Transitions to a few different promo things but I’m not expecting a lot because they only care about stuff that’s upcoming or Brand New, and having been out for a few days it’s no longer Brand New. Which is just… dumb.
Today I somehow managed to tweak my back, right before I was going to do some gardening. I ended up doing the gardening anyway. This was, as it turns out, not a greaet way to help my back to feel better.
I got yet another letter from Social Security today, which I was expecting to be one of:
Instead it was a notice of yet another “psychological function evaluation.” On the plus side, at least this one is going to be done via telehealth, which is at least an improvement over the last time. On the minus side, it means they’re still trying to deny me based on ADHD as my sole disability, an given how the last one went I’m guessing that the ADHD screening is also going to be incredibly reductive and not actually reflective of what ADHD actually is or how it interacts with my other disabilities.
Now that I’m able to come up for air because the album is finally done I think I’ll talk about my next few intended album and music-related projects.
Today’s choir show went amazingly well.
I also finished the full youtube video for the album and I’m really happy with how it turned out.
I am currently not busy with anything and that feels weird.
I guess tomorrow I can finally get some groceries that keep getting put off, and maybe I can fill my time in with finally starting up that nostalgia vintage gaming stream idea that I’ve been sitting on for a while (namely streaming all of the games I played in my childhood). I have a bunch of other albums I want to do now but they can wait.
Or maybe I’ll get inspired to do more Novembeat. But probably not. I’ve released five albums this year. I feel like I’ve done enough.
I guess I could finally finish building the new sockpuppet.us website…
Last night’s show went really well! There were a bunch of technical hitches and I made a bunch of mistakes and so on but it was a good time and it was great to get a lot more people hearing my music. Hopefully I’ll be able to do more of these things.
Anyway. I have a few listening parties scheduled for the album release:
For the VRChat one, my plan is to perform some of the songs from the album live before we listen to the full studio version, but we’ll mostly play it by ear.
And, of course, I have my TDOR choir show in a few hours (and another one next Wednesday evening), both of which will hopefully be livestreamed.
There’s been a schedule change with Aga’s Toys for Tots event, and I will now be going on at 2 PM Pacific. Also it seems that I’ll be performing from an instance where I can invite a small audience to join me, so I hope to see folks there! The instance will be owned by my VRChat group. I was misinformed about this! Please join Corbelle’s group.


Transitions is (finally) almost done. There’s just a couple of little tweaks left to do (like, super duper minor things, decibel-level adjustments and slight timing tweaks and a little bit of vocal tuning). It’ll be really nice to finally have this album done after all this time. The oldest song on this was first recorded in 2001! And my first attempt at making an album of this stuff was back in 2003! This album is legally old enough to drink in the United States.
I’ll probably stick to my original preorder release date of November 20, 2024, as that’s Trans Day of Remembrance. Deadnames has also been done and ready to release for a while, and it will also be coming out on whatever day Transitions comes out.
These are the release dates for Bandcamp/itch/mirlo; streaming will come later, as a proper streaming release has a two-week lead time. So it’ll probably be November 29 for those platforms. (Streaming users can wait, anyway. Anyone who’s following me closely knows to buy my music, right? Right.)
I’ve also written some fun visualizer code which will be used to put a full-album video on my YouTube channel. Audio visualizers are super annoying and awkward on every code platform I know of these days, so I just went to Get It Done by modifying Wavemaker, a tool built by my friend John. Someday I want to build a better framework for this stuff but Good Enough is good enough.
Hey everyone! On Friday, November 15, at 2:30 PM PST I will be performing a live set in VRChat for a charity fundraiser, benefitting Toys for Tots.
The show will be hosted by Corbelle’s music events group, so join that VRChat group if you’d like to see me in-world. Otherwise, you can watch it being streamed on twitch. I hope you’ll be able to come!
Okay my gut feeling was at least agreed to by a bunch of other people: Material Change will not be going onto Transitions, and instead the chamber pop version will be something I do for a later album, named “Misfits,” which I already have so many ideas for.
Any attempt at forcing Material Change to fit into Transitions would not serve the album, at least not in the modern landscape of how music is distributed and listened to, and as always, I make up my own rules for how I do my music.
It’s funny how much more important and urgent things feel at 1 AM.
When I work on an album, I’m not just working on the songs in isolation, I’m also constantly playing the album as a whole to check things like song-to-song flow, dynamics, and listening for defects that I’d like to fix later before I release the album, since noticing and fixing little issues as I go is a lot easier than trying to do one big quality pass at the end.
With Transitions, I started out by recording Valley Highway, because writing that song became the impetus for recording the whole album, and I ended up using it as the prototype for the overall production style for the album.
Gosh it’s been a while since I’ve checked in! Here’s stuff that’s going on with me, music-wise.
The album is almost done. I finally settled on some album art, all but one song is recorded, and I just have a bit of mixing work to do on half of the songs. Hopefully the Bandcamp release will be available soon, and the streaming release will be soon after!
As always, my choir is doing a couple of shows for Trans Day of Remembrance. Both will be at University Congregational UCC, with one on November 16, 2024 at 3 PM and one on November 20, 2024 at 7:30 PM.
These will also hopefully be streamed, for those who can’t make it in person, but I hope you will be able to attend in the flesh if possible.
I’ll also be performing at a charity show for Aga’s Toys for Tots on November 15 at 2:30 PM Pacific. I don’t know if this show will be streamed but it’ll definitely be accessible in VRChat. I’ll be providing more information as it comes to me.
My current hardware setup: M1 Max studio in the office, M1 mini in the recording studio.
The Mac studio is great for editing video and doing compute-heavy tasks, and also has amazing peripheral connectivity which mostly goes unused. Connected to it I have an external NVMe enclosure, a second monitor, and a USB hub full of other stuff. Also a spare audio interface that it basically just uses as an unnecessary, overpriced DAC for my speakers and headphoens (and which I keep meaning to move to my gaming PC to get better audio for my VR concerts).
The mini in the studio is always short on connectivity options; it only has the two Thunderbolt ports, and could really use a third. It also has sufficient CPU for my music, but it’s a bit lacking in I/O, both because its internal 512GB SSD is slower than what’s in the Mac Studio, but also because it’s small enough that I have to offload most of my instrument sample data to a much slower external drive.
So what I need in the studio is more connectivity and more disk I/O, and what I need in the office is more compute…
Lately I’ve been feeling super isolated and depressed. A lot of it is because I’ve just been so fatigued all the time, and the rare times I have energy to do anything I’m pouring it all into the album. But like, I’m getting very little socializing in with other people.
Sure, there’s weekly choir stuff (and by the way I’ll be performing at our talent show on Saturday! please come!) but that’s not really filling in any social needs.
So, today Apple unveiled the new M4 Mac mini, which seems like a perfect upgrade for me! Except… they did something really asinine:
They put the power button underneath.
This means that you have to physically pick up the machine to turn it on, or to force-reboot it. Those are rare occurrences, but they’re enough of one that this becomes a problem.
Why’s this a problem? Well, part of it is that the mini’s maximum storage configuration is pretty small, and upgrading the storage is stupid expensive, so pretty much everyone who’s using these for doing, say, audio and video work is going to need an external drive enclosure. And external drive enclosures tend to have very short, fixed Thunderbolt cables, and managing those cables can become very tricky even when you don’t need to move your device around.
This will also be a big problem for people who want to rackmount or monitor-mount their devices; as far as I can tell from various photos, there isn’t really much of a gap/lip under which you can place a finger. Maybe people will start making custom button-pressing tools or something, I dunno. I guess that wouldn’t be too hard.
But still, it’s annoying that Apple would make this change.
(Hopefully they at least put it under the front corner, which would at least be livable! None of the photos I’m finding show which corner it’s under though.)
Another annoying thing is that while there are now five USB-C ports (three of which are Thunderbolt), there are no longer USB-A ports, so at least for my setup I’d need to run everything through a Thunderbolt dock, and finding one of those that’s both reliable and provides the ports I need is troublesome at best. Also, in my experience, you really want a dedicated port (rather than a docking station) for an external monitor, a storage enclosure, and an audio interface… and that’s all three Thunderbolt ports right there. So then my keyboard and mouse would have to plug into one of the USB-C ports in front, and that gets really messy really fast.
So anyway, power-wise the M4 mini would be a huge upgrade for me, but for the physical and connectivity requirements of my recording studio, it doesn’t seem like a good fit.
Maybe I’ll get an M4 mini for my home office and then move my M1 Max Mac studio into the recording studio. Or maybe I’m fine with the hardware I have already.
For several days my tinnitus and vertigo were getting progressively worse, which made me once again worry that I am developing Ménière’s disease, which has a prognosis that is very much Not Good.
And I mentioned this on a friend’s Discord’s venting channel, and someone else replied:
I had a family member diagnosed with Ménière’s and it turned out to actually be TMJ dysfunction from teeth grinding.
It was causing Eustachian tube swelling and thus the vertigo
This was actually super informative, because I’ve always had TMJ issues and pretty bad bruxism!
When I was a kid I was really into Infocom text adventures, and the game Beyond Zork had some very strong tabletop RPG elements, much moreso than other Infocom games. One of the things about it is that when you started the game you had to roll a character, and you could choose the gender of the player character.
The gender of the player character had literally no effect on the gameplay.
I always chose “female” for some reason.
But there were no signs.
I also used to be really into fighting games (Street Fighter et al), until I had to stop due to RSI issues.
I always chose the female fighters for some reason.
But there were no signs.
When I was 7 I was really into The Last Unicorn.
My parents thought I identified with Schmendrick the magician.
I identified with the unicorn.
But there were no signs.
When I was 10 and Super Mario Bros 2 came out I was infatuated with the game. Especially because the manual described Birdo as “thinking he was a girl.”
I wanted to hug her so bad, and say, “me too.”
But there were no signs.
Every time I wrote a story that had a self-insert character, it always just felt natural for that character to be a girl.
But there were no signs.
Okay it turns out that while the mobile version of PlexAmp works exactly how I want it to, the desktop version kind of sucks? Like, if you’re doing “album radio” (which is the shuffle-by-album thing I love so much) it is super easy to get out of the actual player view, and as far as I can tell there’s no way to get back into it except by restarting “album radio,” which then interrupts whatever it is you’re listening to.
Update: Turns out all you have to do is click on the mini-player, oops. Dunno why I didn’t try that before, it seems so obvious in retrospect.
Also its AirTunes “support” is just that it doesn’t prevent you from setting your system audio to AirTunes. That is… not useful.
So, okay, I think I’m sticking with iTunes on desktop, and still using my album shuffle playlist hack (which also lets me curate my upcoming listening and also, y'know, pause and resume).
But on mobile, PlexAmp seems to be the way to go.
My big fibromyalgia flare seems to have finally subsided, so I’m back to working on music, yay.
Right now I’m working on recording “Sunny Again” for Transitions. The Transitions version has ended up being somewhat more complicated than I was expecting, so this will take a while to get finished. But I really like the arrangement that I have, and I hope that I can pull it off.
I finally tracked down contact information for the attorney the scammers claimed to have on their counsel, and sent him an email. He almost immediately got back to me:
Thank you for finding a way to alert me that someone is fraudulently using my name and California Bar number and claiming to be associated with me or that I work for them. I greatly appreciate it.
Unfortunately, whoever is behind this scam has used other trademark related entity names and contacted other members of the public like yourself claiming that this person works for me or that I work for him/her, which is false. I have previously notified the State Bar of California that someone is misusing my name and bar number.
I am in-house counsel for [redacted]. I have no clients other than [company]. I am not a trademark attorney, and I do not know what [scammer company] is. I am not, and I have never been, associated with [scammer].
Best regards,
[redacted]
Anyway, I’ve been in communication with this attorney and he seems to want to shut these fuckers down.
No idea if they’ll even respond to this. They probably won’t. But it’s more paper trail for me and the credit card company, at least.
Hi, I am still waiting for contact information for your attorney. I cannot find any public records that indicates that he works with your firm and I would greatly appreciate any evidence to the contrary. The public records indicate that he works with Skyworks Solutions, a semiconductor manufacturer in Irvine, California.
Additionally, in the USPTO filing it appears that a registration was only performed for class 41, when I was told that it would also be registered on additional classes (namely 9 and 35), which would justify the amount I was charged. Could I please get an itemized bill of what the $999 went to?
I also still am concerned about the need for this registration having been done in the first place. Looking at the USPTO database, the only recent/pending registrations I’ve found for “Sockpuppet” or “sock puppet” are for the baseball team as previously mentioned (and they are indeed in class 41), and also there is still the issue of common law trademark regarding band names; for example:
- Gerben Law: An Overview of Common Law Trademark Rights
- LegalZoom: How to Establish a Common Law Trademark
- Stan Soocher: Big Legal Battles Over Rights in Bands' Names
Secure Your Trademark: Trademarking a band name
The legal advice is in; the mega pop star can’t force you to drop your band name because, technically, you arrived on the music scene several years before she did. But from now on, when you mention the name of your band, people are probably going to start humming “All About That Bass.” Here, the degree of trademark protection you missed out on becomes evident.
[…]
Key Takeaway: When two or more non-trademarked bands share the same or a similar name, the one with the highest seniority usually wins and ends up with trademark protection.
USPTO: I Received a Letter/Email…, particularly this excerpt:
Federal registration is not required to establish trademark rights. Even if a trademark registration expires or is cancelled, the trademark owner may continue to have “common law” rights in the mark. Common law rights arise from actual use of a mark for particular goods or services and may allow the common law user to successfully challenge another party’s use in court.
Furthermore, my records show that I requested a cancellation of this process early on Friday, and I was told that I would receive a call “as soon as possible.” I never received that call, and then on Monday I was told that it was too late for a refund as the paperwork had already been submitted.
In addition, both California and Washington are two-party consent states, and I’d like to note that I was only informed that the initial call was being recorded quite a ways into it (when I asked for more information about the competing mark), and was never asked for my consent to be recorded. However, the existence of the recording was later used to threaten me when I mentioned the possibility of issuing a chargeback.
Given that the paperwork does seem to have been filed as promised, I am willing to only take a partial refund based on the services actually rendered, but I am still not exactly thrilled with how this entire process has been handled, nor with the timbre of your communications to me.
I am sure that any disputes along these lines can be cleared up with a simple conversation with your attorney, so I would greatly appreciate being able to have such a converation.
Thank you.
I’ve been having another major pain flareup, or rather the pain flareup that started a few weeks ago has continued to get worse, and it’s super difficult for me to do anything right now. Typing hurts, my brain is in constant fog, and there’s no freaking way I can work on music or art right now.
I’m super frustrated by this, of course, especially feeling like I’m so close to being done with Transitions as well as my new music website, but I gotta take care of myself so that there’s still a me to do the things I want to do with.
I ended up handing off one of my video editing projects to someone else so that at least takes some pressure off, and I’m just giving myself permission to nap, a lot, which my body has been craving.
Pretty much I only have the spoons for basic self-care right now, and that’s gonna have to be enough for a while. I’m also pretty much stuck at home because I don’t feel comfortable driving (or leaving the house, really) and even if the stuff I wanted to do were accessible by transit, I definitely don’t have the spoons to manage transit right now.
Also today I realized it’s been a year and a half since I started my disability claim, and it just keeps on getting blocked by bureaucratic nonsense.
John Oliver’s overview of the situation only scratches the surface of what I’ve been having to deal with.
So, I’m in a bit of a frustrating situation right now.
I’ve been releasing music as “Sockpuppet” since 2006, with my first album under that name released in 2009. From everything I can find online, this firmly establishes me as having “common law” trademark status; for example:
Secure Your Trademark: Trademarking a band name
The legal advice is in; the mega pop star can’t force you to drop your band name because, technically, you arrived on the music scene several years before she did. But from now on, when you mention the name of your band, people are probably going to start humming “All About That Bass.” Here, the degree of trademark protection you missed out on becomes evident.
[…]
Key Takeaway: When two or more non-trademarked bands share the same or a similar name, the one with the highest seniority usually wins and ends up with trademark protection.
USPTO: I Received a Letter/Email…, particularly this excerpt:
Federal registration is not required to establish trademark rights. Even if a trademark registration expires or is cancelled, the trademark owner may continue to have “common law” rights in the mark. Common law rights arise from actual use of a mark for particular goods or services and may allow the common law user to successfully challenge another party’s use in court.
Anyway, back in 2021, I decided to try registering for a federal registered trademark on the name Sockpuppet, but it was denied because of an existing trademark on the band name “Sock Puppet Parody” which they considered to be too similar. So I decided to stick with my common-law trademark status for now and figured I’d only move forward until something came up.
And, well, something came up.
Hey y'all, it is Bandcamp Friday, a good time to buy independent music while Bandcamp opts to release their share of the purchase price.
As always, I have my latest released album, and the share also applies to preorders of Transitions. Or you might consider checking out some of my other many albums that you might not already be familiar with, such as:
But also this isn’t just me shamelessly self-promoting. I’m shamelessly other-promoting, too! Here’s a list of some of the albums I’ll be buying myself:
And, on the last one I preordered when air collapsed within by our dear friend, the medic, which was also released very recently.
Anyway. Support independent musicians by buying their music! It’s good for you, and even better for them.
Grab-bag of stuff going on for me, apologies for my usual unstructured rambling
If all went well, my concert is now underway. In theory, here is the VRChat instance (but if nobody’s there check the VRC group). And in theory, the stream should be live.
In practice, I am probably currently scrambling to get everything working at this very moment.
Seeing this post made me think I should also list my computers and their purposes/vague specs. Because I’m that kind of a nerd.
What counts as a “computer” for this list is subjective. I’m not including pure video game consoles (I’d be here all day if I did) or phones (big same) but I am including things like tablets, but only ones which feel computer-y, if that makes any sense (like, no Android tablets, and I’m leaving off an ancient iPad named fluffysaurus).
Sadly I don’t have any proper vintage computing stuff anymore (unless you count a couple of neat old PDAs, anyway).
November 4, 2024: Updated some things
November 29, 2024: Updated more things
I’ll be performing in VRChat tonight at 9 PM PDT. Join my VRChat music group for the instance link.
If you can’t join via VRChat, I’ll also be streaming on my Owncast instance, and I’ll try to engage with the stream chat although historically that hasn’t worked out so well.
And if the time doesn’t work, the stream recording will eventually go on my YouTube channel.
For this concert I’ll be trying out a new performance setup for improved sound, hand tracking, and audience engagement, and also a different venue than last time for better environmental factors.
Here’s what’s currently going on with my music things.
Wednesday night I had a massive pain flareup towards the end of choir practice, due to some stressy situations that were developing all at once on top of my continued lack of sleep due to working on Transitions. This had me basically incapable of doing anything for several days, and I spent the next few days mostly just lying on the couch and smoking weed.
Yesterday as I was coming out of that haze I learned from my next-door neighbor Joe that my back-yard neighbor Rick died, also on Wednesday night.
I’m having a bad pain flareup and as much as I’d like to push through it and do the concert anyway, from experience I know that’ll just make things worse and I’m trying to get better at self-care and showing myself the same understanding I show others.
So, tentatively I’m planning on my next VR concert being on September 29, at 9 PM Pacific time, hosted on my VRChat group. And of course it’ll be streamed over on my Owncast. Here’s a Discord event link.
The great thing about performing virtually is that I don’t have to worry about venue booking. I can make my own rules for this and I don’t have to feel bad about the reality of my health.
💜
Hey y'all, it’s been a little while since I’ve done a VRChat music performance, and I have a hankering to try out my new performing gear. Please vote in this poll so I can figure out what the best time is for a show!
(Don’t worry about the name you put in, and I’ve also set it to hide responses from each other. Strawpoll doesn’t have any “allow anonymous responses” option for time polls, unfortunately.)
My brain is constantly exploding with things that I want to get done but my body keeps telling me “no.”
Hello! It has been a hot minute! I should probably post things here!
My first full VRChat concert went pretty well considering it was my first time doing such a large set. Previously I’d done single-song performances or song-circle gathering type things, so there’s a bunch of stuff I learned during the process of doing this.
Just tracking stuff for my own reference and also so y'all know what I’m up to too
Well, this is silly: I just discovered that Bandcrash doesn’t properly escape HTML entities in the web preview player. Or rather, it didn’t. It does now, as of v0.7.9.
I have two upcoming VRChat performances happening.
UPDATE: I have made a separate VRChat group for my music stuff, MUSIC.1138. Please join that one for my VRChat concerts!
I hope to see you there!
Okay so, let me explain a thing about my two upcoming albums, and then a thought about a possible change of plans. I’d like to hear folks weigh in on these ideas.
Does it count as navel-gazing when my fursona canonically doesn’t have a navel?
Wellp it’s another day that I feel like talking about.
The other day in a chat about text editors (you know, the most important thing to anyone who spends a lot of time at a computer) someone recommended Zed and I figured I’d try it out. So this blog post is the first thing I’m writing in it.
My editor of choice for the past 10 years or so has been Sublime Text, although I’ve stayed with version 3 since I didn’t like some of the changes made in 4 (more in terms of features than in terms of licensing structure, although the latter was also a disincentive towards upgrading). At a glance, Zed looks like it’s a bit better in general.
So here’s some ramblings as I get acquainted with it.
As part of the Fediwave Artists Streaming Series, I have a concert scheduled for Tuesday, August 13 at 3 PM Pacific Daylight Time (GMT-0700). To watch, join my personal Owncast server. I’ll be playing acoustic versions of a bunch of my songs, and answering some Q&A as we go! And maybe sharing previews from my upcoming album!
Today something fucked up with my mail server and I’m sick of dealing with it, so I migrated my mail to Purely Mail, which is great, and there’s still a bunch of shit broken on my site as a result of things fucking up but whatever, at least now I can receive mail again and I don’t have to spend frantic hours to receive email when I’m already in the middle of a fucking crisis
it’s like $10/year and works great, and I’ll probably also drop mailgun for my outgoing because it handles that just fine too
Stuff’s going on as usual. Here’s some of it.
Woke up today in considerable pain, but I did some of my physical therapy stretches and some of the stretches that Castiel showed me on Wednesday and that helped somewhat. I also spent 10 minutes on my vibration plate which helped as well.
Mowed the lawn.
Went down to the studio and started working on the album version of Valley Highway, because it feels like as good a place to start as any (even though it’s going to be the last track) and decided to take the opportunity to define the overall sound for the album, which mostly meant cycling through a bunch of microphones until I found the right one for the vocals, and also cycling through a bunch of guitars until I decided that my favorite one (an Ovation Elite TX) is the one I’ll use. Because it’s my favorite one to play, so, why wouldn’t I use it on the album? Plus I think it has the nicest tone of my three acoustic 6-strings.
The downside to the Elite is that it doesn’t have a traditional soundhole, so I can’t use my preferred pickup (a Seymour Duncan Woody) on it, but the Ovation’s built-in pickup is pretty good, and I record it in conjunction with a mic anyway.
I also recorded a bunch of guitar and drum takes and got annoyed at a few things so for now I’m using Logic’s AI drummer. I hope to rerecord it with real drums though. I’m just having trouble keeping steady time; my drumming is fine for live sets but studio albums call for a bit more precision than I can muster right now. Also my cheap nylon brushes started to fall apart even though I’ve barely used them. Meh. So I ordered some proper metal ones which should arrive tomorrow. I also finally got around to ordering a better drum throne, too, because the one which came with my kit is driving me absolutely nuts.
Also, not all of the songs on the album will use drums.
For strings I’m using NI Cremona Quartet as usual, although for some parts I’ll probably rerecord the cello using my actual cello, and some of the songs need some cello articulations which Cremona Quartet doesn’t provide so for those I’ll definitely be playing the real thing. I might even try to record some of the violin and viola parts with physical instruments but as much as I enjoy playing them, I’m really not all that good, and I want this album to sound as good as possible.
Anyway after all that I went to another VR yoga class.
Also I’ve had too much caffeine today and am feeling hyper and rambly, so, here’s some rambling about my musical instruments.
I got back from Denver very late last night, and boy were my arms tired. And legs. And body.
Lesson learned: if you have the option to take a much earlier flight and it only costs $50, take it. That is much better than wandering around the Denver airport for 8 hours. Or, failing that, the $79 to get an admiral lounge day pass isn’t really all that bad either.
Anyway. Today was mostly a day of recuperation, and I was in extreme pain in my back and right shoulder. I was supposed to go to the STANCE annual meeting but I was way too tired and in too much pain to attend. I did at least virtually attend a yoga session to work on my shoulder a bit and it helped somewhat, and the instructor also gave me some good stretches specific to the pain I was feeling, so, that was super helpful.
Having an in-person, actually-live show was such a great thing for my psyche.
I came to Denver wondering what the hell I was doing, like I was coming out of obligation rather than for something I actually wanted to do. But having had two nights of great performances and camaraderie, which was much needed and sorely missing from the last few years' worth of online-only shows, has made me feel so much better.
I haven’t posted here in a while so I figured I should do that, just to keep folks informed of my continued existence.
I’m still experiencing substantial post-COVID symptoms. This cough is persisting, and it’s made my vertigo way worse, to the point that I am having trouble driving anywhere. I also have a new fun symptom where every time I cough I get a flash headache on the right side of my head and sometimes that includes dizziness! Fun times. I hope this doesn’t presage an aneurysm or something.
Anyway in a couple days I’ll be flying to Denver for Song Fight! Live, the first time we’ve done it in person since 2019. I’ve missed doing this so much. Unfortunately my vertigo situation means I will not be renting a car and will relying heavily on Lyft and mass transit.
For folks in the area, my performances (Sockpuppet and Octothorpe) will be Friday the 19th at Buntport Theater, with the show starting at 5 PM. I will also be accompanying some folks on Saturday the 20th on drums, and of course that day is also the “live fight” when we all debut a song written in a hurry for a title that’s given sometime this week.
I mean, assuming I’m not about to die of some major brain hemmorhage or something.
Meanwhile I’m also trying to get more VRChat performance opportunities. Stuff is slowly fermenting in that space and hopefully it leads somewhere good. Unfortunately most scheduled VRChat performance stuff all happens in clumps where I already have other stuff going on too. Maybe I should just start making my own concerts and see what happens.
Lately I’ve been getting a bunch of attempted spam comments on random blog entries. Okay, nothing unusual about that, right?
Well, it’s a little unusual in that I use isso, an obscure comment system that requires Javascript to work, so at the very least there’s some sort of browser-based automation, if not outright sweatshop laboring happening.
But today I just got the weirdest fucking spam comment ever. Not weird because of the content (it was for a list of dental clinics in India, which I guess is pretty weird), but because of where it was posted:
On an entry that requires login.
I’m over COVID, and just have a little lingering bronchitis. Also some of the worst brain fog I’ve ever had. I feel like my brain’s been through a blender. Spatial relationships make very little sense, my reaction times are super slow, I am definitely not safe driving right now, and so on.
My standard state of affairs is best described as “dazed and confused” right now. I feel like my mental acuity has pretty much gone away. I’m also making a lot of ridiculous spelling mistakes when I write, and I’m having trouble stringing together basic procedures for things.
Basically I feel like I’ve taken massive brain damage and this has me all sorts of fucked up.
At least I’m not alone in this but that’s cold comfort. If I can’t recover from this, what future do I have? My brain is pretty much the only thing I had going for me and now I don’t even have that.
Last night I started feeling significant pain whenever I inhaled too deeply, telling me there was either pleurisy or another embolism happening. I gave it several hours to try to resolve on its own, and it just got worse and worse, so this morning, I headed to the ER.
And there I waited, and waited, and waited, and then after around four hours of nothing happening while just sitting in the waiting room in agony, the pain had resolved itself, and I could breathe normally again.
So I asked about being discharged early, and was told to wait, and wait, and wait, and it was another hour or so before I was able to leave.
Anyway I’m back home now, and hopefully this is the last of the COVID drama in my life for a little while.
I hate how every time I get sick, be it with COVID or anything else, I spend so much time feeling worthless and like I’m in limbo and like everything is passing me by.
I’ve got stuff to do but I’m feeling way too tired to do any of it and I’m full of depression right now. Post-COVID everything just feels so pointless, and I also feel so alone.
I’m supposed to be getting my set together for Song Fight! Live, but I’m just full of negative self-talk and a feeling that nobody gives a shit about me or my music. I hustle so much trying to find anyone who wants to work with me on anything and the best I can find is endless unpaid work for exposure which never amounts to anything.
I forced myself to take a walk today and it was nice to get out of the house but I still just felt so alone with my thoughts, and those thoughts weren’t great to listen to.
Sometimes it sucks to live alone.
I seem to have made it through the worst of the COVID. My fever’s mostly gone, and my cough is way less severe (which is good because oh my god does it hurt to cough anymore). I’ve lost five pounds since Friday but also I’m finally getting my appetite back so hopefully I can cushion some of that.
Because of the current surge, the antivirals are all super out of stock, including Molnupiravir which I’d gotten a prescription for (unfortunately Paxlovid isn’t safe for me to take due to my blood thinners). I had a followup with my GP yesterday and we decided that based on my progress I don’t really need it anyway. (She also doesn’t think the nodules they found on Sunday need a followup.)
As usual I seem to have a secondary bacterial infection in my lungs, judging by the phlegm I’ve been coughing up, but hopefully that’ll clear up in a few days and I won’t need antibiotics for it. For now I’m just taking pseudoephedrine and guaifenisin which is my usual “sit it out” protocol, since I’m allergic to most antibiotics and am super worried about antibiotic-resistant bacterial strains (and anyway Washington State guidance is to wait a week if possible before prescribing antibiotics for lung and sinus infections).
Usually when I get COVID I use QFC’s overpriced grocery delivery service (which is really just Kroger-branded Instacart), but lately I’ve been shopping at Safeway more so I figured I’d try theirs out instead, and wow, it was way cheaper, just $4 + tip for my whole order. We’ll see if the ice cream survives.
I am super fatigued right now and that’s making it even less feasible for me to work right now. It hasn’t even been a week since I was exposed, much less the onset of symptoms, so I have to remind myself that it’s totally normal to feel this way after an illness, especially COVID which usually wipes me out for months afterwards. I’m just hoping that given how quickly the disease progressed this time, so will the post-infection fatigue.
I feel super guilty about this but I’ve started up a gofundme to help defray some of my ongoing financial issues. I’m hoping I can ramp up on freelance stuff soon (not that I’d been having much luck with it before this, anyway) but at this point I’m mostly just hoping to carry things forward until I can finally get on disability. I do want to genuinely thank everyone who’s contributed so far, even though I feel really weird about accepting the money. I’d rather be getting it from random rich people and not, like, people I know, who I feel could probably use the money more than me? If that makes any sense? Gah.
This outbreak has been pretty devastating to the choir; at least 15% of us are sick, probably more. A lot of us are disabled or immunocompromised. I hope we’re going to see a return to our old masking+testing policies; they’d been relaxed this season in keeping with King County infection statistics, and we were caught totally off-guard by this surge. It’s a very hard lesson learned for the future.
In some positive news, my parents (who were visiting for the choir show) are not testing positive, and I’m glad they were here when I needed them most.
I’m back at home. They did a CT scan but there wasn’t anything too concerning, it just seems that I was coughing hard enough that I had a minor bleed in my lungs, exacerbated by the blood thinners I take due to my clotting disorder. The prognosis is to just not take my blood thinners for a few days and to do the usual hydration/plenty of rest/etc.
The CT scan did find a couple of probably-unrelated nodules on my lungs which are probably nothing but will need a followup.
Anwyay tomorrow my prescription for molnupiravir should finally come through. It’d have been nice if I could have started on it yesterday when it was prescribed but supplies are limited right now. But it should at least help me to recover much more quickly.
i’m in the ER because I started coughing up blood this morning. so much for releasing my new avatar today…
so I’ve gotten COVID for a third time, an this time it’s hitting me way harder and for the first time I’m having a Very Strong Positive test result. I thought I was just having really bad allergies (and antihistamines were working) but today when I got home from the choir show I started to feel really off, and out of an abundance of caution I took a test. The reaction was pretty much immediate.
Fortunately my parents happen to be in town for the choir shows and they want to help me out while they’re still here, and my insurance provider has a virtual doctor that can prescribe paxlovid, so hopefully things will work out okay.
Y'all know that I am not a fan of Patreon. But it seems like I have to go back to being active there.
Hey y'all! My birthday is tomorrow, June 14! I will be turning 0x2E. Or 0b101110 if that’s your preference.
Anyway. Normally I’d use that as a reason to have a huge karaoke blowout on VRChat Friday evening, but I have a big choral show on Saturday and some of the pieces need my full vocal range, so I’m not going to risk fucking up my voice for Saturday.
So instead I’ll have birthday karaoke in VRChat Saturday evening! I’m thinking it’ll start at, say, 7 PM Pacific Time. You can join off me if you have me friended or I’ll be posting an instance link on my discord.
Also, to help with the celebrations, I’ve thrown together a party hat.
Furality is the largest virtual furry convention, which takes place annually in VRChat. This past year (Umbra) was also the most highly-attended furry convention of any kind ever, with a whopping 21,000 attendees!
I’m just a nobody when it comes to furry stuff, especially cons, but I figured I’d share some of my observations, good and bad, especially in comparison to the other two Furality events I attended (Luma Festival and Sylva).
It’s really unfortunate how I’m stuck in the hinterland between being too disabled to work but being too abled to get on disability (at least not easily). Dealing with Social Security has been super frustrating and I’m not expecting to get a full hearing or determination any time soon, so in the meantime I could really use some sort of part-time income. Not to mention having things to do that other people care about.
I am way too burned out on software engineering to do that anymore (I barely even want to write code for my own projects), but I would be super willing to do things like:
Anyway, here’s my resume.
I’m willing and able to work part-time in Seattle (remote-focused hybrid preferred) or remotely.
I have a whole bunch of stuff going on right now and most of it involves things that people can come see me at!
With Seattle Center on Contemporary Art I am one of eight artists in a show featuring transgender artists, entitled Taking Up Space. Its opening reception is this Thursday from 5-9 PM at the CoCA gallery (114 Third Ave S, Seattle, WA 98104).
Sunday afternoon I am performing in the Trans Academy Trans Pride VR talent show, which is from 12:30 - 3 PM (Pacific Daylight Time) in VRChat. See the announcement video for more information, and of course there’s plenty on the community Discord and on X.
Next Saturday (June 15, 2024) I’ll be performing with STANCE at the Museum of Flight for Sally Ride Day, at around 12 PM.
The Friday and Saturday after (June 21 and 22, 2024) I’ll be again performing with STANCE for our Pride concert series, at 7:30 PM on the 21st at Rainier Beach Presbyterian Church and 3 PM on the 22nd at Seattle First Baptist.
Some Wednesday evening in July I’ll be performing a full set of my own music at Trans Academy’s concert series, Moonlit Academy. More information as it becomes available.
And then on July 19 and 20th I’ll be performing with Song Fight! Live at the Buntport Theater in Denver, Colorado, actual show times yet to be determined.
I am, as always, a busy bee.
So, I went to the Kia dealership, and it took them an hour to figure out where my car’s keys were. Also they had trouble finding my customer record, because it turned out the service advisor misspelled my name, and they don’t have a good way to search their system. Disorganized clown-shoes operation.
But, whatever. I finally have my car back. And the click sound was gone at first but it came back halfway home. And according to the tech notes, guess what they did during the month they had my car:
absolutely NOTHING.
They decided that the sound was “normal EV motor noise.”
Why did they need my car for a WHOLE MONTH to tell me that?
The tech notes said (all misspellings theirs):
No abnormal noises were heard fro vehicle. Test drove vehicle and found no abnormal noises heard. Referenced TSB ELE234 and found the noises heard from the vehicle to be constant with the Note: Be careful to not mistake the abnormal noises for the normal noise of the EV motor in the vehicle
Did they also read the part of the tech note that says that the TSB’s clicking noise is intermittent and only occurs at slower speeds? Probably not!
And, I repeat, it took them A GODDAMN MONTH.
But at least I have my car back and a paper trail for what happens when the bearing fails.
A question that keeps on coming up in my conversations is: where exactly is the electric vehicle adoption the highest?
There’s plenty of information about it on a per-country basis but I couldn’t find anything that breaks it down by US state. So I did a little number-crunching, and figured I’d post it here so that other people can benefit from it.
I finally got in touch with someone at the Kia dealership who said that my car will be ready to pick up tomorrow, after “only” a month being stuck there. Ugh.
They said that they were not authorized to do the full TSB repair and that they could only do the first-level sound mitigation, claiming that it was “just normal EV noise” (it fucking wasn’t) and that they can only actually replace the bearing when it actually fails. Given how much I drive that’ll probably end up happening both well after the warranty expires and in the most inconvenient situation imaginable.
OH WELL. At least I’ll finally have my car back, and can stop putting up with this piece of shit loaner that’s frustrating to drive and gets 22MPG and has basically no cargo space.
But knowing how the dipshits at this service center operate, I’m not holding my breath for my car to actually be ready to pick up at my appointment time.
In my last post about Logic I saw a lot of potential in the chord track but found that the UX was pretty lacking. Since then I’ve seen a few Logic-related videos that have found some better ways of interacting with it:
I’m still not totally thrilled with it and wish there were a live recording option, but it’s actually pretty workable as it is.
This video was particularly helpful (and also has a really nice defense of the AI creation tools in it, including several points which I have always agreed with):
The UX could definitely be better-documented, though, and I wonder how many other little things are there which just aren’t explained anywhere.
Also there’s a few other UX papercuts which still exist, like keyboard focus is weird while on the chord track. But things will improve over time, as I said before.
I guess it’s been a week since my last update post so here’s what’s going on with me.
There is a really pervasive trend in video these days where people will use (usually auto-generated) open captions (sometimes called “burned captions” or “hard subs”), where the text for the narration or the like is baked into the image of the video. This is sometimes accompanied by some attention-grabbing effects, like making the currently-spoken word jump up in size, often with a very goofy animation.
Please stop doing this.
The latest version of Logic released today, with some much-vaunted features. It’s also finally gone to version 11, after being stuck on 10.x for over a decade, even though 10.x minor version updates were often larger than the differences between major versions (and those major version updates cost a lot of money!).
I just played around with it for about an hour and put its major new features through its paces, and here’s some of my thoughts on it.
Okay so. Originally they were going to lend me a Kia Forte, which is a tiny economy car, but that was returned in unsafe condition.
Then they were going to lend me a Sorento, which would have been great (overkill, really), but that one still hasn’t been returned by the previous user.
This morning I got a notification from Kia that “the Niro is ready to be picked up. Will you need a ride here?” I thought, huh, so they’re done repairing my car? Great!
Today, right around when I was about to leave for the Matrix test drive, I got a call from the dealership: the loaner was available, but it wasn’t in a totally safe state due to a huge crack on the windshield. They asked if I still wanted it and I said I’d rather not.
blep
The Kia service person finally got back to me several hours later, and I have learned:
Meanwhile, I’m scheduled to test drive the Matrix XRS Thursday afternoon, and my brain is currently in a state which has me overcommitting to just buying it, without having seen it in person yet. Maybe let’s think this through, and make sure I’m not just doing my usual self-convincing/rationalizing of something stupid.
Today I finally got in touch with Kia’s corporate customer service after filing a complaint yesterday, and they said that they also haven’t been able to get in touch with the dealership.
I asked them how I can go about getting a loaner, and they said that it’s up to the dealership to do so. If the dealership doesn’t have a loaner available, then they have a rental reimbursement program.
I asked about that, and the answer was that from the time the car is diagnosed, if there’s a long-term repair that needs to take place, then they will reimburse the rental fees. However, they will only do so after the car has been diagnosed, and as far as I can tell, it has not. I asked them why the policy was based on diagnosis time rather than dropoff time, and their response was that it is Kia’s policy to be that way.
I said that for me the issue is that I’m without a car, and that it shouldn’t matter when the car is actually diagnosed, what should matter is when I am without a car. It seems to me that the service center has absolutely no incentive to actually move forward on things based on this policy, because it means they can just hold on to my car for months without any forward progress and any compensation to me.
The CSR said that she would file a complaint on my behalf about this policy, but that for now, Kia’s policy is that the reimbursement period only begins when there’s a diagnosis. And she will try to find out if there’s been a diagnosis, but the dealership hasn’t been responsive to Kia Corporate either.
So, yeah. Kia has great cars but their customer service is FUCKING AWFUL and based on this series of interactions (and lack thereof) I can no longer recommend Kia vehicles. Which is sad, as of all the current EV manufacturers available in North America, they have the best value proposition (and some of the best EVs available in general).
I took my car to the local Kia dealership to get TSB ELE234 taken care of on Tuesday. I still don’t have my car back or any indication of when I’ll be getting it back.
Stuff continues to happen!
It’s been a little while again! I think I like these collected updates rather than doing daily micro-dumps, and it’s also nice posting it here instead of on Mastodon or whatever. Timeline-based social media kinda bums me out these days.
But yeah today I’m feeling pretty accomplished!
I’m still trying to figure out the best way to get my music copyrights properly enforced on YouTube.
The problem is that I’ve released pretty much all of my music under CC by-nc-sa, which means that people are free to use it as long as they credit me, use it noncommercially, and also put their content under the CC by-nc-sa license.
However! People never fucking do. It’ll never be credited, is often used in a literal fucking advertisement (EDIT: I got the advertisement taken down without challenge, but it was just someone using my song “Come Out” to advertise disposable placemats for some reason), and is also absolutely never put under the same license.
So, you’d think this would be a perfect use case for YouTube’s copyright enforcement tools, right?
Time for another tedious life and project update-ramble!
I’m not sure if I remembered to post this here and I apologize for the last-minuteness if this is my first post but!!!!!
Tonight I will be performing on the Benaroya Hall stage with the choir! It’s kind of a big deal for me! I’d love to see people come if they can! The concert is from 7:30 to 9:30 PM. Get your tickets here, oh my gosh.
For quite some time I’ve had my music site hosted by Bandcamp, since it was a pretty low-friction way to get my discography up and online, albeit with some annoying limitations. Previously I had the main domain host a “micro-site” for whatever my most recent release was and then used a subdomain for the actual Bandcamp page, but updating that got to be obnoxious and nobody really cared about the microsite thing anyway.
There’s a bunch of reasons, though, why I’m going to go back to running my own site, and hopefully downplaying Bandcamp as My Main Music Presence online. Here’s some of the reasons.
Last night I took some cough suppressant before I went to bed and remembered to run my humidifier, and when I woke up this morning I was feeling fine. So maybe this was a false alarm as far as COVID re-infection goes. OR maybe my immune system finally knows how to take care of it quickly. Either way, I’m glad to not be in the throes of respiratory distress.
I’m still feeling like crap in other ways though. I bought a promising piece of exercise equipment based on reading how this sort of thing can help a lot with fibromyalgia, and I did three sessions with it today and oh wow am I feeling it.
So, there was a COVID outbreak at my choir. At first it seemed like it was isolated to folks who participated in one extracurricular thing after the last rehearsal, but it turns out that it’s been affecting a lot of folks. We were going to have a talent show and fundraising auction this Friday but that’s been postponed until May. So it goes.
Anyway this morning I woke up coughing, and while that cleared up quickly I’ve been feeling pretty under the weather all day, with occasional respiratory stuff and general fatigue/malaise.
As usual, home rapid tests are turning up negative, but for whatever reason I’ve never had a positive rapid test even when I very clearly had COVID, so I don’t know what’s up with that.
I’m hoping that this is a fluke and I’m not actually coming down with COVID for a third goddamn time, and that I’ll be well enough for our big Benaroya Hall concert next Friday, but I’m not terribly optimistic about that right now given how things like this always go. In the meantime I am, of course, isolating. Fortunately I’m pretty well-stocked on groceries right now so I don’t think I’ll need to get anything delivered (although I did order a bunch of cough drops just in case).
It’s been a while since I’ve compared Crowd Cow to the grocery store in terms of price and quality. Maybe I should update things based on what I’ve been buying lately and how it compares to QFC.
Hey y'all, since I have the album coming out on Monday, I figure Sunday night would be a good time to actually try out Bandcamp’s “listening party” biz. It’s Sunday, March 31 at 5:30 PM PDT (GMT-0700).
Also I’ll be attending a music listening party on VRChat tomorrow night (March 30) at 6:30 PM PDT (GMT-0700) and hopefully my album will be one of the things that gets played there too! The easiest way to join that would be to send me an invite request; here’s my VRChat profile if we aren’t friends already. (Unfortunately searching for my username from within VRChat is pretty difficult but you could try pasting this: fluffy — note the funky unicode!)
I’ve recently joined the video editing team at Trans Academy, and that team has standardized on DaVinci Resolve for all editing. Since I’ve been coming up on the limitations of Final Cut Pro for quite some time I figured I’d finally give it a try, and since I’m working on finishing up an album I figured I’d use it for making the YouTube assembled version.
So, I have some thoughts about it so far, speaking as someone who’s mostly used Premiere and Final Cut and am used to their UIs and quirks. I’m just evaluating the free version for now, although I’ll eventually be getting access to the paid version as part of my Trans Academy duties.
but especially doctors
Just farting my words into the ether, as usual.
Song Fight! has been going for a long-ass time, and we’re hitting a big milestone, our 1000th title1. The due date for “A Grand Parade” is in a few days and I’d love to see a bunch more people submitting songs for it. Help us celebrate this event!
So far I’ve submitted three tracks, all from unused older alter-egos of mine, and I’m also thinking of a couple more songs. But the more the merrier! Especially if you’ve ever participated in Song Fight! in the past, or have thought about it but never got around to doing it.
Just some updates about the pertinent things.
Just a little checkin on what’s going on with me, because there feels like a lot of it.
I’ve been building some simple acoustic panels to improve the acoustics and aesthetics in my recording studio. Mostly the aesthetics, really, but still.
I have a pretty good process for something that’s easy and cheap to build. And it doesn’t hurt the sound, at least.
I managed to actually get a lot of stuff done today, and I’m feeling quite tired, but in a good way.
Several years ago I started an album called “Instrumental,” which was meant to be a showcase of my game and video music production skills, and a place for all of the little leftovers from canceled projects and one-off tunes to live. I’d been considering this to be “on the backburner” for years, but a few days ago a thing made me realize that I actually had a lot of music ready to go for it, and a reason to finally get it completed.
So, that lit a fire under my ass and I’ve been working hard for the last few days on finishing up the songs that needed finishing, and pulling in a bunch more music that’s suitable for inclusion too.
Anyway, I’m looking for a few test listeners to give it a once-over to get feedback.
Today my first two slip-cast pots were unloaded from the kiln and I picked ‘em up. They came out great!


My mold positives are 60mm across, and the bisqueware measures just under 54mm after firing, which tells me exactly what I need to know going forward. Basically anything I model needs to be 1.11x the intended final size. Easy enough to remember.
I’ll be glazing these, of course, although I’m not quite sure what to use them for. I’d only intended them for calibrating my shrink factor and they’re not really a useful size for anything. Maybe they’ll become the world’s worst cortado cups.
Okay, so, I’ve been having a lot more frustrating issues as of late:
Yesterday I had a doctor appointment to try to figure stuff out, and while the appointment itself was pretty unproductive due to the usual crap with modern healthcare practices, the doctor did at least run a lot of labwork for me, including checking autoimmune and inflammation factors and the most common connective tissue disorder markers. It all came back negative.
She did at least refer me to a rheumatologist, but I suspect the rheumatologist is just going to look at the labwork and say there’s nothing they can do for me. Most likely the answer is going to be the usual “diet and exercise,” when my diet is already pretty decent and I have difficulty doing exercise because of the very problems I’m complaning about.
The only thing that was even slightly out of the ordinary on the bloodwork was a borderline c-reactive protein, which indicates either systemic inflammation or coronary artery disease, and given that I’m a bit overweight I can guess which of the two the doctors are going to assume it is (especially without any other markers indicating underlying causes for inflammatory disease).
There’s got to be something causing all this but the state of the medical industry means that it’s unlikely that anyone I talk to in the medical field is going to come up with ideas on their own, they’re just going to tell me “diet and exercise” and to do BPPV exercises. During the Epley maneuver the vertigo does get way worse, but completing the maneuver doesn’t resolve it.
And of course none of this even comes close to addressing my joints not moving the way they’re supposed to. I love walking but I sure don’t like the feeling of my knee bending backwards when I do so. Nowadays I need knee braces and a cane whenever I go out, if I want to have any chance of making it home without being in agony. And never mind playing DDR.
It’s just, gosh. I wish someone out there also has these problems but also knows what the cause is so that I can find some hope of understanding what I can do to make things better. There is so much more I’d rather be doing than what I’m currently capable of.
The work on my bathroom is nearly complete. The wall is patched, the tile is fixed (and it went surprisingly well with no additional damage from the broken tile’s removal), and all that’s left is replacing the baseboard and painting. I don’t even need to be without a shower while anything cures, as it turns out.
Then I had a massage appointment out in Tukwila (across the street from the hotel I was staying at during the original bathroom remodel from hell, coincidentally enough). I felt the start of a panic attack when I was close to the end of the drive, but made it there fine.
The massage therapist’s office was upstairs, in a building with no elevator, and his office was locked and the instructions said to wait out in the hallway if that’s the case. My knees were acting up much more than usual today, so of course I got to sit out in the hallway while I heard the massage therapist just chatting with his previous client for 20 minutes about fishing. And then when they finally decided to end the yammering and he saw that I was out there he said I should have just knocked on the door to be let in. Oy.
Wellp, I had another big panic attack while driving today. Worst one I’ve had in around a year, and my usual grounding and mindfulness things didn’t help. I had a vertigo attack while entering the tunnel to the I-90 bridge, and this very quickly cascaded to a full-on panic shutdown.
I managed to make my way to Mercer Island and stopped at a Starbucks to collect myself, and then was able to get back across the bridge to make my way to Rainier Ave to drive home via surface streets, and had a good cry when I got home.
Hey y'all, I’m looking for a better way of managing my to-do list for managing commissions and such. I’ve been using iCloud Reminders since it has good integration into macOS and iOS, but it has a few shortcomings, such as being a little annoying to manage nested tasks, and not having a good way to share things publicly.
I am looking for some combination of the following:
I am NOT looking for the following:
I wasn’t planning on getting into VR tonight but I ended up doing it anyway.
The Bigscreen folks suggested washing the facial interface gasket with soapy water, and that seems to have fixed the skin irritation. So there must have just been some residue left over.
I also printed a Vive DAS adapter so now I have a much easier time putting the headset on and setting up the audio and so on. It ends up not sitting on my head quite right, though, and adjusting the fit to my eyes is a little more fiddly. Unfortunately the design of the BSB doesn’t make it easy to put on a top support strap (the DAS adapter has a little dealybop for the DAS’s top strap but I couldn’t get it to stay attached with double-sided tape and I’m not yet willing to use permanent adhesive) so my choices are either off-axis lenses or having it so tight it gives me a headache.
I also ended up removing the lens inserts for now, and I’ll wait for the QC-passing ones to arrive.
Everything is just so sharp now. I like it.
My Bigscreen Beyond arrived today, right before I had to leave for choir practice. So of course as soon as I got home I set it up and tried it out. This is a quick first-impressions review.
I feel like I need to sing the praise of CarMax, the dealership I bought the Niro at.
First of all: They had amazing prices on things, and a no-nonsense no-haggle policy. You pick out your car online, make an appointment to test drive it, and get some time with it.
They also did an amazing job of getting it ready for me. They performed all necessary service, including replacing the tires, and did a thorough inspection.
The inspection on mine missed two points: It was missing its emergency trickle charger, and there was a small but concerning crack on the windshield. When I pointed these things out, they immediately bought me a new, official trickle charger ($300) and paid for the entire windshield to be replaced ($700) — no questions asked, no proof required.
And with both issues, I’d called their service number outside of their business hours, and their answering service forwarded my concerns along and I got immediate contact, direct from the sales representative I worked with, as soon as they opened!
They also gave me the best offer on my old car by far, and worked really hard to get me every possible tax credit on the vehicle (the best one being the sales tax credit from the trade-in to begin with), and gave me a clear and concise explanation for why the ones I couldn’t get weren’t available. Not that it matters — the original price on the Niro was already ridiculously low, and the fact they’ve paid an additional $1000 to fix the issues mentioned above is a nice bonus on top.
This is 100% my own opinion, unsolicited, and I earn no commission or affiliate fee for saying this.
I honestly feel that CarMax is how all car dealerships should be.
The only thing I disliked about the whole experience is that they still aren’t quite equipped for EV sales, and don’t list things like range specs or show the battery condition on the inspection report. (For battery condition you really should bring an OBD-II scanner and an appropriate app, anyway. My Niro was still at 100%.) This is such an incredibly minor concern that I feel like it almost isn’t even worth mentioning, and as EVs get more popular this issue will definitely go away anyway.
So, yeah. CarMax is such a good experience. They are absolutely the way that car sales should be.
I don’t have any new releases on my bandcamp but if you’re interested in a wide variety of music, it is there for the buying, and during Bandcamp Friday none of the money from that goes to Songtradr/Bandcamp.
This weekend, you can also buy anything in my discography, including my entire discography, for 50% off using discount code TOOMUCHMUSIC.
And as usual I’m also trying to hype up others. This month I’m planning on buying:
I contacted CarMax about the missing EVSE, and they pointed me to a hidden compartment for service equipment, thinking it might have been hiding in there. The EVSE wasn’t in there either, but there was the “tire mobility kit,” so it’s good that I have the official one too!
Anyway CarMax is going to order me a replacement EVSE as well. Nice.
I suspect they saw the NACS adapter and confused it for an EVSE, which is easy to do — I’d made the same mistake during my test drive and walkaround!
But yeah so far I am very happy with the CarMax experience.
Today the Niro became available for test drive and purchase, and I got the next available appointment. CarMax was super busy and they weren’t able to see me until nearly an hour after I arrived (ugh) but the process went pretty well.
I gave the car a test-drive and found that I really like it, and the OBD check showed no battery degradation whatsoever, so I decided to go through with the purchase. So now I have the nicest car I’ve ever owned (after giving the LEAF a little pat and telling it I appreciated our time together).
Today I had an appointment at the Nissan dealership for them to appraise my car as part of a potential used-sale deal. They offered me $5500, or $6000 if I was willing to part with it same-day, and were giving me some pretty hard-sale tactics for an immediate agreement, but I told them that my replacement car hasn’t arrived yet and I couldn’t guarantee that I’d be actually buying the replacement.
They made me an offer of the full $6000 if I sold it to them now and just continued to borrow the car for the next week, but I again said no, as I’m not positive I’ll be buying the Niro.
This was also after they tried to FUD at me about the Niro, like they said that the Niro is “uninsurable” because of the break-in problems (which don’t affect the Niro, and the models which do have the problem haven’t had significant insurance difficulties either), and tried to bargain me into upgrading to a Leaf SV Plus, which is both outside of my budget and also doesn’t actually address the two critical issues I have with the Leaf (namely, CHAdeMO charging and a lack of thermal management on the battery).
As mentioned the other day, my SlimeVR full-body trackers arrived, after about a year and a half of waiting. The last two days I used them pretty heavily, and then ended up just reselling them (at cost).
For some reason Spotify occasionally rebroadcasts the old episodes of my podcast and whenever they do a notification goes out to all RSS feeds (including the one that gets autoposted to my Mastodon feed). I don’t know why they do this, but it certainly has the effect of reminding me that I need to make more episodes. And hey, it’s nice how it gives more visibility to the original 6 episodes.
Anyway, that said, I’ve gotten a few prompts for episodes to make and also I’ve revisited my prompt list and I’m getting some amount of inspiration. No promises, but hopefully I’ll get to making these again soon. I miss doing it a lot.
I am of course always open to receive prompts from others! Especially if they want to do a commissioned episode.
Today my SlimeVR trackers finally arrived, after about a year and a half of waiting. I bought the 7+3 kit. I’ve got them set up pretty well, I think. Here’s some observations.
I ended up paying the $700 to get the Niro EV shipped to my local dealership and reserve it for my purchase. All of the reviews of this particular model are quite stellar, and this specific car is an incredible deal (as far as I can tell it’s deeply discounted since it was a former lease vehicle but it’s still in immaculate condition). I should be able to give it a test drive in a week or so.
This isn’t my dream car but it’s a hell of a lot better than my current car in every way that matters. Plus, all of the reviews that touch upon winter driving say that it actually has really good traction control and only experiences minimal range loss. And it still has a much bigger (2.5x) range to begin with.
It’s annoying to be spending this money right now but I’m fortunate that I can swing it and don’t have to go into debt as a result.
So, today I took a rather small trip down to Tacoma, and stopped at a friend’s place in Puyallup on the way back. I very quickly discovered that in the current cold weather, my Leaf consistently had an actual range of around half of what it predicted, and if I’d relied on its range estimate I would have probably been stranded around 5 miles from home.
Some thoughts about lighting fires, both literal and metaphorical.
Today I found out that the Hobbes OS/2 archive is shutting down.
I ran this archive back in the 90s, when I was a student at NMSU. It was, for reasons not worth getting into, one of my ancillary duties when I worked part-time for the IT department.
The tech world is abuzz with the announcement of the Rabbit R1, a little handheld AI assistant thing that has an interesting goal.
The tl;dr is that it’s a ChatGPT model that will run little AI agents (called “rabbits”) on your behalf to make complex API requests for you. I actually think it’s a pretty cool idea and one of the few things that I don’t hate about the modern AI push (ethics of ChatGPT aside, of course).
At $200 for the hardware it’s obvious that the LLM is running in the cloud somewhere, and it’s not like the other stuff wouldn’t also require cloud to operate anyway, though, and that raises the one big question I have about it: who foots the bill for the actual backend services? Because at $200 it’s probably being sold at-cost or for a small profit, and operating the necessary cloud services ain’t free.
A random conversation tonight awakened a memory in me, namely, back in the 90s, we didn’t refer to fursonas as fursonas, but as “personal furries,” and I had it in my mind that the term “fursona” actually started out as derisive and came from an anti-furry space. Which led me on a bit of a quest.
>>> import datetime >>> apollo = datetime.datetime(1969,7,20,20,17) >>> delta = datetime.datetime.now() - apollo >>> apollo + delta / 2 datetime.datetime(1996, 10, 13, 20, 57, 7, 893840)
Anything that happened on or before October 13, 1996 is now closer in history to the Apollo 11 moon landing than it is to today.
It’s way too easy to get heated while in the thick of things and for bad-faith interpretations to take over from the point anyone’s trying to make, and that is absolutely a two-way street.1
For now I’ve removed Toot! from my phone and DNS-blocked plush.city from my home network, so hopefully any posts I make to Mastodon are just from my automatic crossposter (like this one). I’ll still (eventually) see replies to my blog posts that come in as Webmentions, but hopefully not being Always So Online will be better for my mental health, which hasn’t been great as of late and I’m definitely lashing out at others much more than I would like.
I forgot to check up on my previous annual goals post, but better late than never, right?